What does Ea do? It destroys reality itself. If you were to somehow survive being bound and stabbed a billion times, Gilgamesh will just pull out his game-breaking sword Ea. And that’s not even the worst thing Gilly’s got. He’s got these chains called Enkidu that allow him to bind gods. Well, old Gil has a solution for that, too. Let’s say you’re a god and can’t be killed so easily. And the worst part? Gilgamesh has this total asshole grin on his face while he’s decimating you.īut let’s say you’re not a puny mortal after all. You think you’re gonna make mincemeat of this little frat boy, and then you are obliterated by a million swords falling down on top of you with the force of rocket grenades. You meet Gilgamesh on the field of battle. You’ve mastered every fighting style on Earth, and can counter any move your opponent throws at you. Your mind is sharp, you’re a tactical genius. You’ve honed and trained your body and your skills for your entire life. Picture this: you’re a warrior, and a damn good one. And the great irony is the only people they can’t kill are each other, no matter how often they try. Jin and Mugen both harbor a deep-seated death wish that allows them to fight with a particular ferocity and abandon. They have faced off against trained killers, deadly assassins, warrior priests, the Samurai Who Smells of Sunflowers (the deadliest ever known)-and lived. Jin himself takes on three of the governor’s most elite bodyguards at the same time. In the first episode alone, they cut through an entire village worth of samurai. The pair are both around 19 or 20 years old, yet periodically face off against foes who are decades more experienced than they are. Jin is at the absolute pinnacle of sheer, deadly traditional sword techniques, while Mugen is able to surprise and overwhelm any foe with his breakdance-influenced style of fighting. While they aren’t able to level cities and smash planets to smithereens, the series protagonists of Samurai Champloo are on another level when it comes to swordsmanship in their anachronistic Edo-period world.
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